June 11, 2021

āϰāĻžāĻšā§āϞ āĻŦā§‹āϏ (Rahul Bose)

āϰ⧇āϖ⧇ āϗ⧇āϛ⧇āύ āĻŽā§āϝāĻžāϜāĻŋāĻ•

‘āĻĒāϰāĻŋāϚāĻžāϞāĻ• āĻšāĻŋāϏ⧇āĻŦ⧇ āωāύāĻŋ āϕ⧀ āϚāĻžāχāϛ⧇āύ, āϏ⧇āϟāĻž āϏ⧋āϜāĻžāϏ⧁āϜāĻŋ āĻŦāϞāϤ⧇āύ āύāĻž, āĻ“āρāϰ āĻāĻ•āϟāĻž āĻ…āĻĻā§āϭ⧁āϤ āϘ⧁āϰāĻŋāϝāĻŧ⧇ āĻŦāϞāĻžāϰ āϧāϰāύ āĻ›āĻŋāϞāĨ¤ āϧ⧀āϰ⧇ āϧ⧀āϰ⧇ āφāĻŽāĻŋ āϏ⧇āχ āϧāϰāύāϟāĻž āĻŦ⧁āĻāϤ⧇ āĻļāĻŋāĻ–āϞāĻžāĻŽ, āĻ“āρāϰ āχāĻ™ā§āĻ—āĻŋāϤāϗ⧁āϞ⧋ āϧāϰāϤ⧇ āĻĒāϰ⧇āϰ āĻĻāĻŋāϕ⧇ āφāϰ āĻ…āϏ⧁āĻŦāĻŋāϧ⧇ āĻšāϤ āύāĻžāĨ¤ āĻ“āρāϰ āĻ•āĻžāϛ⧇, āĻ›āĻŦāĻŋāϟāĻžāϰ āĻĒā§āϰāĻžāĻŖāĻ­ā§‹āĻŽāϰāĻž āĻ›āĻŋāϞ ‘āĻ…āύ⧁āĻ­ā§‚āϤāĻŋ’āĨ¤â€™
āĻŦ⧁āĻĻā§āϧāĻĻ⧇āĻŦ āĻĻāĻžāĻļāϗ⧁āĻĒā§āϤāϰ āĻ¸ā§āĻŽā§ƒāϤāĻŋāϚāĻžāϰāĻŖāĨ¤

āĻŦāĻŋāĻ­āĻžāϏ āϚāĻ•ā§āϰāĻŦāĻ°ā§āϤ⧀

āϏāĻžāĻ•ā§āώāĻžā§ŽāĻ•āĻžāϰ: āĻŦāĻŋāĻ­āĻžāϏ āϚāĻ•ā§āϰāĻŦāĻ°ā§āϤ⧀: āĻĒāĻ°ā§āĻŦ ā§§

āύāĻŋāĻœā§‡āϕ⧇ āĻŦāϞ⧇āύ āύāĻžāϟāϕ⧇āϰ āĻ…āύāϞāϏ āĻ•āĻ°ā§āĻŽā§€, āĻŦāĻžāĻ™āĻžāϞāĻŋ āĻŦāϞ⧇ āύāĻžāĻŸā§āϝāϜāĻ—āϤ⧇āϰ āĻāĻ• āĻ¸ā§āϤāĻŽā§āĻ­āĨ¤ āϤāĻŋāύāĻŋ āĻŦāĻŋāĻ­āĻžāϏ āϚāĻ•ā§āϰāĻŦāĻ°ā§āϤ⧀āĨ¤ āĻŦ⧟āĻžāύ āĻ•āϰāϞ⧇āύ āϤāĻžāρāϰ āύāĻžāĻŸā§āϝāĻœā§€āĻŦāύ⧇āϰ āφāĻ–ā§āϝāĻžāύāĨ¤ āφāϰ āϏ⧂āĻ¤ā§āϰāϧāϰ? āĻŽāĻžāϧāĻŦāĻŽāĻžāϞāĻžā§āϚāĻŋ āĻ•āχāĻ¨ā§āϝāĻž āύāĻžāϟāϕ⧇āϰ āϏ⧁āĻŽāύ āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āϝāĻžā§ŸāĨ¤

āĻŦāĻŋāĻ•ā§āϰāĻŽ āĻ†ā§Ÿā§‡āĻ™ā§āĻ—āĻžāϰ (Vikram Iyengar)

āφāĻĒāύ āĻšāϤ⧇ āĻŦāĻžāĻšāĻŋāϰ āĻšāϝāĻŧ⧇

āϕ⧁āχāϝāĻŧāĻžāϰāĻžāĻŦāĻžāĻĻ⧇āϰ āϝ⧁āĻ—ā§āĻŽ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāϤāĻž āĻ…āύāĻžāĻšāĻŋāϤāĻž āϏāĻžāϰāĻžāĻ­āĻžāχ āĻ“ āĻļāĻžāĻŽāĻŋāύ⧀ āϕ⧋āĻ āĻžāϰāĻŋ āϤāĻžāρāĻĻ⧇āϰ āĻ…āϪ⧁āĻĒāĻ¤ā§āϰāĻŋāĻ•āĻž ‘āϟāĻŋāĻ˛ā§āĻŸâ€™āĻ āĻŦāϞ⧇āϛ⧇āύ, ‘āϕ⧁āχāϝāĻŧāĻžāϰāĻžāĻŦāĻžāĻĻ āĻšāϞ āĻāĻ• āĻ…āĻ¨ā§āϝ āĻĒ⧃āĻĨāĻŋāĻŦā§€ āĻ“ āĻœā§€āĻŦāύāϚāĻ°ā§āϚāĻžāϝāĻŧ āĻĸā§‹āĻ•āĻžāϰ āĻĒā§āϰāĻŦ⧇āĻļ āĻĒāĻĨ, āϝāĻž āϏ⧋āϜāĻž āύāϝāĻŧ āĻŦāϰāĻ‚ āĻŸā§āϝāĻžāρāĻĄāĻŧāĻžāĻŦā§āϝāĻžāρāĻ•āĻžāĨ¤â€™ āĻāϞāϜāĻŋāĻŦāĻŋāϟāĻŋ āĻ—ā§‹āĻˇā§āĻ ā§€āϰ āĻ•āĻĨāĻž

āĻļ⧁āĻ­āĻž āĻŽā§āĻĻā§āĻ—āϞ (Shubha Mudgal)

āĻļ⧁āĻ­āĻžāϰāĻŽā§āĻ­: āĻĒāĻ°ā§āĻŦ ā§Ŧ

āĻāϰ āĻĒāϰ⧇āϰ āĻ›â€™āϘāĻŖā§āϟāĻž āϧāϰ⧇ āύāĻŋāĻ°ā§āĻŽāϞāĻžāϰ āĻĒā§āϰāĻ¤ā§āϝ⧇āĻ•āϟāĻŋ āĻĒā§āϰāĻšā§‡āĻˇā§āϟāĻžāχ āĻšāϝāĻŧ⧇ āωāĻ āϞ āĻĒā§āϰāĻšāϏāύāĨ¤ āϝāϤāĻŦāĻžāϰ āĻāĻ• āĻĒāĻžāϝāĻŧ⧇āϰ āωāĻĒāϰ āĻ­āϰ āĻĻāĻŋāϝāĻŧ⧇ āύāĻžāύāĻž āĻŽā§āĻĻā§āϰāĻž āĻĻ⧇āĻ–āĻžāύ⧋āϰ āĻšā§‡āĻˇā§āϟāĻž āĻ•āϰāϞ⧇āύ, āϏāĻžāϰāĻž āĻļāϰ⧀āϰ āĻĨāϰāĻĨāϰ āĻ•āϰ⧇ āϕ⧇āρāĻĒ⧇ āωāĻ āϞ āύāĻŋāϝāĻŧāĻ¨ā§āĻ¤ā§āϰāĻŖ āĻšāĻžāϰāĻŋāϝāĻŧ⧇

āĻ…āĻĒāϰāĻžāϜāĻŋāϤāĻž āĻĻāĻžāĻļāϗ⧁āĻĒā§āϤ

āφāĻ•ā§āϰāĻžāĻ¨ā§āϤ: āĻĒāĻ°ā§āĻŦ ⧍

‘āĻŽāĻžāĻŽāĻŖāĻŋāϰ āĻŦā§āϝāĻžāĻĒāĻžāϰ⧇ āĻŦāĻžāĻŦāĻžāϰ āϟāĻžāύ āĻŦ⧁āĻāϤ⧇ āĻĒāĻžāϰ⧇ āύāĻž āĻŽāĻ¨ā§āĻĻāĻžāĻ•ā§āϰāĻžāĻ¨ā§āϤāĻžāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϤāĻžāĻĻ⧇āϰ āĻĻā§â€™āĻŦā§‹āύ⧇āϰ āĻŦā§āϝāĻžāĻĒāĻžāϰ⧇ āϝ⧇ āĻŦāĻžāĻŦāĻž āĻāĻ•āϰāĻ•āĻŽ āωāĻĻāĻžāϏ⧀āύ, āϏ⧇āχ āύāĻŋāĻˇā§āϠ⧁āϰ āϏāĻ¤ā§āϝāϟ⧁āϕ⧁ āĻĻāĻŋāύ⧇āϰ āĻĒāϰ āĻĻāĻŋāύ āφāϰāĻ“ āĻ¸ā§āĻĒāĻˇā§āϟ āĻšāϝāĻŧ⧇ āϝāĻžāĻšā§āϛ⧇ āĻŽāĻ¨ā§āĻĻāĻžāĻ•ā§āϰāĻžāĻ¨ā§āϤāĻžāϰ āĻ•āĻžāϛ⧇āĨ¤ āϚāĻŋāϕ⧁āϟāĻž āύāĻŋāĻœā§‡āϰ āĻ­āĻžāϞ āύāĻž āĻŦ⧁āĻā§‡ āϤāĻŋāϞ⧇ āϤāĻŋāϞ⧇ āĻ§ā§āĻŦāĻ‚āϏ āĻšāϝāĻŧ⧇ āϝāĻžāĻšā§āϛ⧇āĨ¤â€™ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇āϰ āϟāĻžāύāĻž-āĻĒā§œā§‡āύāĨ¤

āĻ–āĻžāύ āϰ⧁āĻšā§āϞ āϰ⧁āĻŦ⧇āϞ

āĻĸāĻžāĻ•āĻž āĻĄāĻžāϝāĻŧ⧇āϰāĻŋ: āĻĒāĻ°ā§āĻŦ ā§Ē

‘āĻ­ā§‹āϰāĻŦ⧇āϞāĻž āĻ…āĻ—āĻ¤ā§āϝāĻž āωāϠ⧇ āĻŦ⧇āϰ āĻšāϝāĻŧ⧇ āϗ⧇āϞāĻžāĻŽāĨ¤ āϏāĻ•āĻžāϞāĻŦ⧇āϞāĻžāϰ āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻāĻĒ⧁āϰ āĻĢāĻžāρāĻ•āĻž āφāϰ āĻŦāĻžāϤāĻžāϏāĻŽāϝāĻŧāĨ¤ āϟāĻžāωāύ āĻšāϞ⧇āϰ āĻĻāĻŋāϕ⧇ āϝāĻžāĻŦāĻžāϰ āĻĒāĻĨ⧇-āĻĒāĻĨ⧇ āϏāĻŦ⧁āϜ āĻĒ⧁āϞāĻŋāĻļ āφāϰ āϏāĻŦ⧁āϜ āϏāĻŦāϜāĻŋāϰ āĻĒāϏāϰāĻžāĨ¤ āĻāχ āĻ­ā§‹āϰāĻŦ⧇āϞāĻž āĻĒ⧁āϞāĻŋāĻļ āĻāϏ⧇ āϏāĻŦāϜāĻŋāĻŦāĻžāϜāĻžāϰ āϤ⧁āϞ⧇ āĻĻāĻŋāĻšā§āϛ⧇āĨ¤â€™ āĻ­ā§‹āϰāĻŦ⧇āϞāĻžāϰ āĻĸāĻžāĻ•āĻž āĻ­ā§āϰāĻŽāĻŖāĨ¤

āĻĒā§āϰāϤ⧀āϤāĻŋ āĻ—āĻŖāĻ¤ā§āϰ (Pratiti Ganatra)

āĻāĻ•āĻžāĻ•āĻŋāĻ¤ā§āĻŦ āĻŦā§āϝāĻŦāϏāĻž āĻšāϤ⧇ āĻĒāĻžāϰ⧇

āĻ—āĻ˛ā§āĻĒ⧇ āĻŽāϰāϏ⧁āĻŽ āĻĒāĻžāĻ˛ā§āϟāĻžāϝāĻŧ, āϤāĻžāϰ āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āĻĒāĻžāĻ˛ā§āϟāĻžāϝāĻŧ āĻŦāĻ•ā§āϤāĻžāϰ āĻŽā§‡āϜāĻžāϜāĨ¤â€™āĻŦāϏāĻ¨ā§āϤ⧇ āφāĻŽāĻŋ āĻ•āĻˇā§āϟ āĻĒāĻžāχāĨ¤ āĻ āĻŽāϰāϏ⧁āĻŽ āφāĻŽāĻžāϕ⧇ āωāĻœā§āĻœā§€āĻŦāĻŋāϤ āĻ•āϰ⧇ āύāĻž, āφāĻŽāĻžāϰ āĻāϟāĻžāϕ⧇ āĻ•ā§āώāϝāĻŧ⧇āϰ āĻŽāϰāϏ⧁āĻŽ āĻŽāύ⧇ āĻšāϝāĻŧāĨ¤â€™ āχāϤāĻžāĻ˛ā§€ā§Ÿ āĻ­āĻžāώāĻžā§Ÿ āϞ⧇āĻ–āĻž āĻŦāĻžāĻ™āĻžāϞāĻŋāϰ āĻŽā§‡ā§Ÿā§‡āϰ āĻŦāχāĨ¤

āĻŦāĻŋāĻŽāϞ āĻŽāĻŋāĻ¤ā§āϰ

āĻŦāĻŋāύāĻŋāĻĻā§āϰ: āĻĒāĻ°ā§āĻŦ ā§§ā§Ŧ

‘āĻāϤāĻĻāĻŋāύ āĻŦā§‹āĻŽā§āĻŦāĻžāχāϤ⧇ āĻāϏ⧇āĻ›āĻŋ, āĻ•āĻ–āύāĻ“ āĻ—ā§€āϤāĻžāϕ⧇ āĻāχ āĻ¸ā§āϟ⧁āĻĄāĻŋāĻ“āϰ āϭ⧇āϤāϰ⧇ āĻĸ⧁āĻ•āϤ⧇ āĻĻ⧇āĻ–āĻŋāύāĻŋāĨ¤ āĻ…āĻĨāϚ āĻāĻ–āĻžāύ⧇ āĻĸā§‹āĻ•āĻŦāĻžāϰ āĻ…āϧāĻŋāĻ•āĻžāϰ āϤāĻžāϰāĻ“ āĻĒ⧁āϰ⧋āĻŽāĻžāĻ¤ā§āϰāĻžāϝāĻŧ āφāϛ⧇, āϗ⧁āϰ⧁ āĻĻāĻ¤ā§āϤ⧇āϰ āĻ¸ā§āĻ¤ā§āϰ⧀ āϏ⧇āĨ¤ āϗ⧁āϰ⧁āϰ āϏāĻŦ āĻ•āĻŋāϛ⧁āϰ āĻ“āĻĒāϰ⧇āχ āϤāĻžāϰ āĻĒ⧁āϰ⧋āĻŽāĻžāĻ¤ā§āϰāĻžāϝāĻŧ āĻ…āϧāĻŋāĻ•āĻžāϰ āφāϛ⧇āĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϤāĻŦ⧁ āϝ⧇āύ āϤāĻžāϰ āĻ•āĻŋāϛ⧁āχ āύ⧇āχāĨ¤â€™ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇āϰ āĻĻā§‚āϰāĻ¤ā§āĻŦāĨ¤

āϰāĻžāĻšā§āϞ āĻŦā§‹āϏ (Rahul Bose)

Different worlds, melodies and Buddhada

‘It took some time for us to get used to each other while filming. He had a markedly elliptical style of giving you direction and I got better and better at decoding his cues. For him, it was all about feeling. Not once did we ever discuss intellectual motivation or cerebral impulses.’ Remembering Buddhadeb Dasgupta.

āĻŦāĻŋāĻ•ā§āϰāĻŽ āĻ†ā§Ÿā§‡āĻ™ā§āĻ—āĻžāϰ (Vikram Iyengar)

Figuring ourselves out from the inside

‘…Anahita and Shamini, co-founders of QueerAbad, say in the first issue of the zine ‘Tilt’, Queerabad gives “access to a queer world and way of life with all its tedha-ness”. A glimpse of the LGBT+ life in Ahmedabad.

āĻĒā§āϰāϤ⧀āϤāĻŋ āĻ—āĻŖāĻ¤ā§āϰ (Pratiti Ganatra)

The Layered Language of Loneliness

‘The seasons change and with them, the narrator’s disposition. ‘In spring I suffer. The season doesn’t invigorate me, I find it depleting’, but in August, ‘I’m not a fan of this month, but I don’t hate it either’.’ A critique of Jhumpa Lahiri’s ‘Whereabouts’.

āĻļ⧁āĻ­āĻž āĻŽā§āĻĻā§āĻ—āϞ (Shubha Mudgal)

Shubharambh: Part 6

‘…Through the next six hours, everything Nirmala tried turned into a farce. When she tried to strike various poses on one leg, she shook uncontrollably and had to abandon the pose to avoid falling. She made mistakes in every tukda she attempted but battled on valiantly.’