March 12, 2021

āϤāϰ⧁āĻŖ āĻŽāϜ⧁āĻŽāĻĻāĻžāϰ

āĻ›āĻŦāĻŋāĻĻāĻžâ€” āĻ›āĻŦāĻŋ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ: āĻĒāĻ°ā§āĻŦ ā§Š

āĻ­āĻžāϰāĻŋāĻ•ā§āĻ•āĻŋ, āϜāĻŽāĻ•āĻžāϞ⧋ āφāϰ āĻĻā§‹āĻ°ā§āĻĻāĻŖā§āĻĄāĻĒā§āϰāϤāĻžāĻĒ— āĻāχ āϤāĻŋāύāϟāĻŋ āĻļāĻŦā§āĻĻ⧇āϰ āĻŦāĻžāĻ‚āϞāĻžā§Ÿ āĻāĻ•āϟāĻŋ āϏāĻŽāĻžāĻ°ā§āĻĨāĻ• āĻļāĻŦā§āĻĻ āφāĻ›ā§‡â€” āĻ›āĻŦāĻŋ āĻŦāĻŋāĻļā§āĻŦāĻžāϏāĨ¤ āϤāĻžāρāϰ āϏāĻ™ā§āϗ⧇ āĻ…āύ⧇āĻ• āϏāĻŋāύ⧇āĻŽāĻž āĻ•āϰ⧇āϛ⧇āύ āĻĒāϰāĻŋāϚāĻžāϞāĻ• āϤāϰ⧁āĻŖ āĻŽāϜ⧁āĻŽāĻĻāĻžāϰ āĻāĻŦāĻ‚ āϏ⧇āχ āϏāĻŦ āĻ…āĻ¨ā§āϤāϰāĻ™ā§āĻ— āϏāĻŽā§Ÿ āĻ•āĻžāϟāĻžāύ⧋āϰ āφāĻ–ā§āϝāĻžāύāχ āϤāĻŋāύāĻŋ āϤ⧁āϞ⧇ āϧāϰāϛ⧇āύāĨ¤ āĻ•ā§Ÿā§‡āĻ• āĻĒāĻ°ā§āĻŦ⧇āĨ¤

āĻĻ⧇āĻŦāĻĻāĻ¤ā§āϤ āĻĒāĻŸā§āϟāύāĻžā§Ÿā§‡āĻ• (Devdutt Pattanaik)

āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ⧇ āĻšāĻŋāĻ‚āϞāĻžāϜ āĻŽāĻžāϤāĻž

‘āĻāĻ•āϟāĻŋ āωāĻĒāĻ¤ā§āϝāĻ•āĻž āĻāĻŦāĻ‚ āĻāĻ• āĻĒā§āϰāĻžāĻšā§€āύ āφāĻ—ā§āύ⧇āϝāĻŧāĻ—āĻŋāϰāĻŋāϕ⧇ āϕ⧇āĻ¨ā§āĻĻā§āϰ āĻ•āϰ⧇ āĻāχ āĻŽāĻ¨ā§āĻĻāĻŋāϰ, āϝ⧇ āϜāĻžāϝāĻŧāĻ—āĻžāϗ⧁āϞ⧋āϰ āϏāĻ™ā§āϗ⧇ āϝ⧁āĻ•ā§āϤ āϰāϝāĻŧ⧇āϛ⧇ āĻĻ⧇āĻŦā§€āϰ āωāĻĒāĻžāĻ–ā§āϝāĻžāύāĨ¤ āφāĻĻāϤ⧇ āĻāϟāĻŋ āĻāĻ•āϟāĻŋ āĻļāĻ•ā§āϤāĻŋāĻĒā§€āĻ â€” āϧāĻ°ā§āĻŽāĻžāύ⧁āϏāĻžāϰ⧇ āϝ⧇ āĻĒāĻŦāĻŋāĻ¤ā§āϰ āĻ¸ā§āĻĨāĻžāύ⧇ āϏāϤ⧀āϰ āϕ⧋āύāĻ“ āĻĻ⧇āĻšāĻžāĻ‚āĻļ āĻ›āĻŋāĻ¨ā§āύ āĻšāϝāĻŧ⧇ āĻĒāĻĄāĻŧ⧇āϛ⧇āĨ¤â€™ āĻŽā§āϏāϞāĻŽāĻžāύ⧇āϰ āĻšāĻŋāĻ¨ā§āĻĻ⧁āĻĒ⧁āĻœā§‹āĨ¤

āĻĒāĻŋ⧟āĻžāϏ āĻŽāϜāĻŋāĻĻ

āĻĸāĻžāĻ•āĻž āĻĄāĻžāϝāĻŧ⧇āϰāĻŋ: āĻĒāĻ°ā§āĻŦ ⧍

‘āĻ—āĻŋāĻ°ā§āϜāĻžāϰ āĻĒāĻžāĻļ⧇āχ āϰāĻ•ā§āϤāĻŋāĻŽ āχāĻŸā§‡āϰ āĻĒ⧁āϰāύ⧋ āĻŦāĻžāĻĄāĻŧāĻŋ, āφāĻŽāĻŋ āφāϰ āĻŽāĻžāĻ°ā§āϟāĻŋāύ āĻŽā§āĻ–ā§‹āĻŽā§āĻ–āĻŋāĨ¤ āϚāĻž-āĻŦāĻŋāĻ¸ā§āϕ⧁āϟ āϖ⧇āϤ⧇ āϖ⧇āϤ⧇ āφāĻŽāĻŋ āĻļ⧁āύāĻŋ āφāĻļāĻŋ āĻŦāĻ›āϰ⧇āϰ āĻ­āĻžāϰ⧇ āύ⧁āϝāĻŧ⧇ āφāϏāĻž āĻĻ⧇āĻšāϧāĻžāϰ⧀ āĻŽāĻžāύ⧁āώāϟāĻžāϰ āĻ•āĻĨāĻžāĨ¤ āĻāĻ•āϟāĻž āĻŽāĻžāύ⧁āώ⧇āϰ āĻœā§€āĻŦāύ⧇āϰ āĻŦ⧃āĻ¤ā§āϤ⧇ āϞ⧇āϗ⧇ āĻĨāĻžāϕ⧇ āĻ•āĻžāρāĻšāĻž āĻ•āĻžāρāĻšāĻž āĻŽā§āϞ⧁āϕ⧇āϰ āĻ—āĻ˛ā§āĻĒ!’ āĻĸāĻžāĻ•āĻžāϰ āĻœā§‹āϏ⧇āĻĢ āĻŽāĻžāĻ°ā§āϟāĻŋāύ⧇āϰ āĻ—āĻ˛ā§āĻĒāĨ¤

āĻ…āύ⧁āώāĻž āĻŦāĻŋāĻļā§āĻŦāύāĻžāĻĨāύ (Anusha Vishwanathan)

āĻŦāĻŋāĻ¨ā§āĻĻāĻžāϏāĻŋāύ⧀: āĻĒāĻ°ā§āĻŦ ⧍

‘āĻĒāϰ⧀āĻ•ā§āώāĻžāϰ āϚāĻžāĻĒ⧇ āĻŦāĻž āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āĻĒāĻĄāĻŧāĻžāĻļā§‹āύāĻžāϰ āĻ•āĻžāϰāϪ⧇ āĻ…āύ⧇āĻ• āĻļāĻŋāĻ˛ā§āĻĒ-āĻĒā§āϰ⧋āĻœā§‡āĻ•ā§āϟ āφāĻŽāĻžāϕ⧇ āϛ⧇āĻĄāĻŧ⧇ āĻĻāĻŋāϤ⧇ āĻšāϝāĻŧ⧇āϛ⧇āĨ¤ āωāĻ˛ā§āĻŸā§‹āĻĻāĻŋāϕ⧇, āφāĻŽāĻŋ āĻšāϝāĻŧāϤ⧋ āϞ⧇āĻ–āĻžāĻĒāĻĄāĻŧāĻžāϝāĻŧ āφāϰāĻ“ āĻ…āύ⧇āĻ• āϏāĻŽāϝāĻŧ āĻĻāĻŋāϤ⧇ āĻĒāĻžāϰāϤāĻžāĻŽ, āϝāĻĻāĻŋ āύāĻž āĻāχ āĻŦāϝāĻŧāϏ⧇āχ āĻļāĻŋāĻ˛ā§āĻĒā§€-āϕ⧇āϰāĻŋāϝāĻŧāĻžāϰ āϤ⧈āϰāĻŋāϰ āϰ⧋āϞāĻžāϰ-āϕ⧋āĻ¸ā§āϟāĻžāϰ⧇ āϚāĻĄāĻŧāϤ⧇ āϚāĻžāχāϤāĻžāĻŽāĨ¤â€™

āĻ…āύ⧁āώāĻž āĻŦāĻŋāĻļā§āĻŦāύāĻžāĻĨāύ (Anusha Vishwanathan)

Bindaasini: Part 2

‘…I reached about 15 minutes late, somehow managed to write a half-decent answer and raced back to set. Needless to say, the car rides to and fro were pregnant with tension and only the thought of maintaining continuity kept me from biting off all my fingernails.’ Confessions of a student/actor.

āĻĻ⧇āĻŦāĻĻāĻ¤ā§āϤ āĻĒāĻŸā§āϟāύāĻžā§Ÿā§‡āĻ• (Devdutt Pattanaik)

Hinglaj Mata in Pakistan

‘This temple is associated with an old volcano and a valley. All associated with a goddess. This is a Shaktipeeth. A Shaktipeeth is the place where a part of the goddess Sati’s body tore apart and fell.’ Of a Hindu shrine in the deserts of Baluchistan.

āωāĻĒāϞ āϏ⧇āύāϗ⧁āĻĒā§āϤ

āĻ…ā§āϝāĻžāĻŦāϰāĻž āĻ•āĻž āĻĨā§āϝāĻžāĻŦ⧜āĻž ā§Ē

āĻ•āĻĨāĻž āĻĨāĻžāĻ•āĻŦ⧇ āύāĻž, āĻļ⧁āϧ⧁ āĻ›āĻŦāĻŋāĨ¤ āĻŽāĻžāύ⧇ āĻ•āĻžāĻ°ā§āϟ⧁āύ, āĻŦā§āϝāĻ™ā§āĻ—āϚāĻŋāĻ¤ā§āϰāĨ¤ āĻ…āĻŦāĻļā§āϝ āĻļ⧁āϧ⧁ āĻŦā§āϝāĻ™ā§āĻ— āϕ⧇āύ, āĻĨāĻžāĻ•āĻŦ⧇ āĻšāĻŋāĻšāĻŋ, āĻ–āĻŋāϞāĻ–āĻŋāϞ, āĻ ā§‹āρāϟ āϟāĻŋāĻĒ⧇ āĻŽā§āϚāĻ•āĻŋ, āĻāĻ•āϞāĻž āĻĻā§‹āĻ•āϞāĻž āĻĢā§‹āĻ•āϞāĻž āĻšāĻžāϏāĻŋāĨ¤ āĻŦā§āϝāĻ™ā§āĻ—āϚāĻŋāĻ¤ā§āϰ āĻ•āĻ–āύāĻ“ āĻšāĻŦ⧇ āĻŦāĻ™ā§āĻ—-āϚāĻŋāĻ¤ā§āϰ, āĻ•āĻ–āύāĻ“ āĻ¸ā§āϰ⧇āĻĢ āϤāĻŋāĻ°ā§āϝāĻ• āĻĻ⧃āĻļā§āϝāĨ¤ āϛ⧋āĻŸā§āϟ āĻĢā§āϰ⧇āĻŽ, āĻŦāĻŋāĻļāĻžāϞ āĻ•ā§āϝāĻžāύāĻ­āĻžāϏāĨ¤

āĻļ⧁āĻ­āĻž āĻŽā§āĻĻā§āĻ—āϞ (Shubha Mudgal)

Shubharambh: Part 2

‘… The presence of an onlooker, however silent and unobtrusive, turns the riyaaz session into a performance, albeit one that is conducted in the artiste’s home and without the formality associated with the concert proscenium.’ The changing trend of ‘riyaaz’.

āϤāĻ¨ā§āĻŽā§Ÿ āĻŦāϏ⧁

āϞ⧟āĻ•āĻžāϰāĻŋ: āĻĒāĻ°ā§āĻŦ ā§Š

āĻŦāĻšā§ āĻŦāĻĄāĻŧ āĻļāĻŋāĻ˛ā§āĻĒā§€āϰ āϏāĻžāĻ¨ā§āύāĻŋāĻ§ā§āϝ⧇ āφāϏāĻžāϰ āϏ⧌āĻ­āĻžāĻ—ā§āϝ āĻšā§Ÿā§‡āϛ⧇āĨ¤ āϤāĻžāρāĻĻ⧇āϰ āĻ•āĻžāϛ⧇ āĻļ⧇āĻ–āĻž āĻšā§Ÿā§‡āϛ⧇ āϏāĻ™ā§āĻ—ā§€āϤ⧇āϰ āϏāĻšāĻŦāϤāĨ¤ āĻĒāĻžāĻ“ā§ŸāĻž āĻ—āĻŋā§Ÿā§‡āϛ⧇ āĻŽāύāϟāĻžāϕ⧇ āĻ–ā§‹āϞāĻž āϰāĻžāĻ–āĻžāϰ āĻļāĻŋāĻ•ā§āώāĻžāĨ¤ āφāĻŦāĻžāϰ āĻ•āϰāĻž āĻšā§Ÿā§‡āϛ⧇ āĻ…āϏāĻ‚āĻ–ā§āϝ āĻĻ⧁āĻˇā§āϟ⧁āĻŽāĻŋ, āϤāĻžāρāϰāĻž āĻ¸ā§āĻŦāĻ­āĻžāĻŦāϏ⧁āϞāĻ­ āωāĻĻāĻžāϰāϤāĻžā§Ÿ āĻ•ā§āώāĻŽāĻž āĻ•āϰ⧇āϛ⧇āύ, āĻĒā§āϰāĻļā§āϰ⧟ āĻĻāĻŋā§Ÿā§‡āϛ⧇āύ, āĻšā§‹-āĻšā§‹ āĻšā§‡āϏ⧇āϛ⧇āύāĨ¤

āϜ⧟āĻ¨ā§āϤ āĻ•ā§ƒāĻĒāĻžāϞāĻžāύāĻŋ (Jayant Kripalani)

J-Walking @Calcutta: Part 2

Fierce fathers, stringent curfews, lean wallets, and opportunistic cab drivers all feature in this ode to young love and its travails. Glasses of cold coffee, plates of fried fish with mustard and shared passion feature as well. An evening with Shakuntala remembered in verse.